"I am not one who was born in the custody of wisdom. I am one who is fond of olden times and intense in quest of the sacred knowing of the ancients." Gustave Courbet

24 April 2024

Once.

 Watkins-Pitchford, Bluebells Flowered in the Clearings of the Big Wood, 1960


"I have come back once more to you all once more …" Pan paused, and in the silence not a foot moved or a wing rustled, "and then I shall indeed be gone until that day when we shall all return, yes, all, gnomes and wild forgotten things alike, to the land where once we lived."

B.B., from The Little Grey Men

Dream.


SHIP-MODEL KIT

The lid of its box had a colorful picture
of a four-masted clipper unzipping
a blue ocean that had been loosely

laid out, its folds rolling, its opened
lapels showing a foamy white lining,
far more color right there on that flat

cardboard carton than on the millions
of pieces inside, all the same gray
like lead soldiers, and all fastened

together, tab to tab, plastic cast
as one piece, much like the long folds
of dolls that my Grandmother Kooser

snipped out of the Ames Daily Tribune
just to entertain me and my sister,
though all that had happened before

I’d grown older and ready to take on
an expensive, elaborate ship-model
kit with an accordion-fold of thin

paper instructions, hundreds of words
I had almost no patience for reading,
wanting to start where I wanted to

start, gluing together the few pieces
I recognized, laying the miniature
oars over the laps of the lifeboats,

etc., but this time I made myself
follow directions, having made wastes
of other such kits—fighter planes,

locomotives and cars—and I laid it
all out in my room on a card-table,
the halves of the hull, all the sails,

full, quarter and jib, like seashells,
all of the miscellaneous pieces
that a ship had to have to be real,

right down to the thin little ladders
of rigging to climb to the yardarms,
there to sit, keeping my balance

despite a stiff breeze, looking out
over the sea of my room, the night
with its crickets like ropes and spars

creaking below my screen window,
the waves I could feel going slack
at their edges, the faraway harbors

with their busy bazaars going quiet,
the salty nets drawn up and drying,
their glass floats like small bubbles

in the night’s iridescence, as I bent
squinting over the bits of that ship
I was building to dream me away.

Ted Kooser

Paul Weller, "Wild Wood"

Influencer-Proof.

Excellent.

An excellent album ...

Well.

Farewell, farewell! but this I tell
To thee, thou Wedding-Guest!
He prayeth well, who loveth well
Both man and bird and beast.

He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.

The Mariner, whose eye is bright,
Whose beard with age is hoar,
Is gone: and now the Wedding-Guest
Turned from the bridegroom's door.

He went like one that hath been stunned,
And is of sense forlorn:
A sadder and a wiser man,
He rose the morrow morn.

From Samuel Taylor Coleridge's, "The Rime of the Ancient Mariner"


Face.


We are so concerned to flatter the majority that we lose sight of how very often it is necessary, in order to preserve freedom for the minority, let alone for the individual, to face that majority down.

William F. Buckley Jr.

Sweeps.

Cole, Clouds, 1838


SKY

I should have begun with this: the sky.
A window minus sill, frame, and panes.
An aperture, nothing more,
but wide open.

I don't have to wait for a starry night,
I don't have to crane my neck
to get a look at it.
I've got the sky behind my back, at hand, and on my eyelids.
The sky binds me tight
and sweeps me off my feet.

Even the highest mountains
are no closer to the sky
than the deepest valleys.
There's no more of it in one place
than another.
A mole is no less in seventh heaven
than the owl spreading her wings.
The object that falls in an abyss
falls from sky to sky.

Grainy, gritty, liquid,
inflamed, or volatile
patches of sky, specks of sky,
gusts and heaps of sky.
The sky is everywhere,
even in the dark beneath your skin.
I eat the sky, I excrete the sky.
I'm a trap within a trap,
an inhabited inhabitant,
an embrace embraced,
a question answering a question.

Division into sky and earth —
it's not the proper way
to contemplate this wholeness.
It simply lets me go on living
at a more exact address
where I can be reached promptly
if I'm sought.
My identifying features
are rapture and despair.

Wislawa Szymborska

More.

van Gogh, Self-Portrait, 1889


Everything in men and in their works that is truly good, and beautiful with an inner moral, spiritual and sublime beauty, I think that that comes from God, and that everything that is bad and wicked in the works of men and in men, that’s not from God, and God doesn’t find it good, either. But without intending it, I’m always inclined to believe that the best way of knowing God is to love a great deal. Love that friend, that person, that thing, whatever you like, you’ll be on the right path to knowing more thoroughly, afterwards; that’s what I say to myself. But you must love with a high, serious intimate sympathy, with a will, with intelligence, and you must always seek to know more thoroughly, better, and more. That leads to God, that leads to unshakable faith.

Vincent van Gogh, from a letter to his brother, Theo van Gogh, June 1880.

Bach, Widerstehe doch der Sünde, BWV 54

Víkingur Ólafsson performs his transcription ...


23 April 2024

Happy Birthday, Shakespeare

Taylor, William Shakespeare, 1611


Fall to them as you find your stomach serves you. No profit grows where is no pleasureta'en. In brief, sir, study what you most affect.

William Shakespeare, born on this day in 1564, from The Taming of the Shrew

22 April 2024

Happy Birthday, Kant

von Stägemann, Immanuel Kant, 1790


Enlightenment is man's release from his self-incurred tutelage. Tutelage is man's inability to make use of his understanding without direction from another. Self-incurred is this tutelage when its cause lies not in lack of reason but in lack of resolution and courage to use it without direction from another. Sapere aude!  Have courage to use your own reason! -- that is the motto of enlightenment.

Immanuel Kant, born on this day in 1724

Incomparable.

From PBS' American Masters series,The Incomparable Mr. Buckley ...


A kind of poet.

21 April 2024

Released.


Siouxsie released Tinderbox on this day in 1986.

"Lands End" ...

Released.


Depeche Mode released Sounds of the Universe on this day in 2009.

"Miles Away/The Truth Is" ...

Happy Birthday, Smith


Robert Smith was born on this day in 1959.

"Play for Today" ...

Your.


Thanks, Kurt.

Remedy.


New laws I can get behind ...
Mackinac Island is one of the few places in the U.S. where cars are prohibited. Electric bicycles, which are supposed to be limited to people with mobility challenges, have become common there, however, and critics say they’re going too fast.  

To help remedy the situation, The state Senate passed legislation Tuesday that would set speed limits as low as 10 miles per hour for electric bikes on the island. The bill passed on a bipartisan vote.
While they're at it, go on ahead and ban selfies up there, too.

Trust.


The child walks between her father and mother,
holding their hands. She makes the shape of the y
at the end of infancy, and lifts her feet
the way the y pulls up its feet, and swings
like the v in love, between an o and an e
who are strong and steady and as far as she knows
will be there to swing from forever. Sometimes
her father, using his free hand, points to something
and says its name, the way the arm of the r
points into the future at the end of father.
Or the r at the end of forever. It’s that forever
the child puts her trust in, lifting her knees,
singing her feet out over the world.

Ted Kooser

Time.


You may delay, but time will not. 

Benjamin Franklin

True.

Watt, Skylark Days, n/d


TO the SKYLARK

Ethereal minstrel! pilgrim of the sky!
Dost thou despise the earth where cares abound?
Or, while the wings aspire, are heart and eye
Both with thy nest upon the dewy ground?
Thy nest which thou canst drop into at will,
Those quivering wings composed, that music still!

Leave to the nightingale her shady wood;
A privacy of glorious light is thine;
Whence thou dost pour upon the world a flood
Of harmony, with instinct more divine;
Type of the wise who soar, but never roam;
True to the kindred points of Heaven and Home!

William Wordsworth

Charpentier, Te Deum, H.146

Hervé Niquet puts Le Concert Spirituel through their paces ...

Happy Birthday, Muir


Toward midday, after a long, tingling scramble through copses of hazel and ceanothus, I gained the summit of the highest ridge in the neighborhood; and then it occurred to me that it would be a fine thing to climb one of the trees to obtain a wider outlook and get my ear close to the Æolian music of its topmost needles. But under the circumstances the choice of a tree was a serious matter. One whose instep was not very strong seemed in danger of being blown down, or of being struck by others in case they should fall; another was branchless to a considerable height above the ground, and at the same time too large to be grasped with arms and legs in climbing; while others were not favorably situated for clear views. After cautiously casting about, I made choice of the tallest of a group of Douglas Spruces that were growing close together like a tuft of grass, no one of which seemed likely to fall unless all the rest fell with it. Though comparatively young, they were about 100 feet high, and their lithe, brushy tops were rocking and swirling in wild ecstasy. Being accustomed to climb trees in making botanical studies, I experienced no difficulty in reaching the top of this one, and never before did I enjoy so noble an exhilaration of motion. The slender tops fairly flapped and swished in the passionate torrent, bending and swirling backward and forward, round and round, tracing indescribable combinations of vertical and horizontal curves, while I clung with muscles firm braced, like a bobo-link on a reed.

In its widest sweeps my tree-top described an arc of from twenty to thirty degrees, but I felt sure of its elastic temper, having seen others of the same species still more severely tried--bent almost to the ground indeed, in heavy snows--without breaking a fiber. I was therefore safe, and free to take the wind into my pulses and enjoy the excited forest from my superb outlook. The view from here must be extremely beautiful in any weather. Now my eye roved over the piny hills and dales as over fields of waving grain, and felt the light running in ripples and broad swelling undulations across the valleys from ridge to ridge, as the shining foliage was stirred by corresponding waves of air. Oftentimes these waves of reflected light would break up suddenly into a kind of beaten foam, and again, after chasing one another in regular order, they would seem to bend forward in concentric curves, and disappear on some hillside, like sea-waves on a shelving shore. The quantity of light reflected from the bent needles was so great as to make whole groves appear as if covered with snow, while the black shadows beneath the trees greatly enhanced the effect of the silvery splendor.

Excepting only the shadows there was nothing somber in all this wild sea of pines. On the contrary, notwithstanding this was the winter season, the colors were remarkably beautiful. The shafts of the pine and libocedrus were brown and purple, and most of the foliage was well tinged with yellow; the laurel groves, with the pale undersides of their leaves turned upward, made masses of gray; and then there was many a dash of chocolate color from clumps of manzanita, and jet of vivid crimson from the bark of the madroños, while the ground on the hillsides, appearing here and there through openings between the groves, displayed masses of pale purple and brown.

John Muir, born on this day in 1838, from "A Wind-storm in the Forests"

20 April 2024

Excellent.


On this day in 1979, The Rock and Roll Rooster released one of the greatest rock albums ever made, Gimme Some Neck.

"Buried Alive"

Process.


I fear you will never arrive at an understanding of God so long as you cannot bring yourself to see the good that often comes as a result of pain. For there is nothing, from the lowest, weakest tone of suffering to the loftiest acme of pain, to which God does not respond. There is nothing in all the universe which does not in some way vibrate within the heart of God. No creature suffers alone; He suffers with His creatures and through it is in the process of bringing His sons and daughters through the cleansing and glorifying fires, without which the created cannot be made the very children of God, partakers of the divine nature and peace.

George MacDonald

Home.


Nobody has seen the trekking birds take their way towards such warmer spheres as do not exist, or rivers break their course through rocks and plains to run into an ocean which is not to be found. For God does not create a longing or a hope without having a fulfilling reality ready for them. But our longing is our pledge, and blessed are the homesick, for they shall come home.

Isak Dinesen, from "The Diver"

Progression.


Hugh Aldersey-Williams explores the lifelong calendrical project of Robert Marsham and asks, "What can we learn from observing the progression of spring — a hawthorn’s first flowering, the return of birdsong on a particular day?"
Noticing signs of spring is not confined to the scientifically minded, of course. It is an idea with a long provenance. Buddhist monks in Japan were recording the arrival of the cherry blossom as far back as the ninth century. Some of Marsham’s “data points” (such as the swallow and the cuckoo) have long held a place in popular lore and folk songs. The old English saying “Ne’er cast a clout till May be out” — a warning not to remove outer clothes too soon in the year — is usually supposed to refer to the month of May. But English May weather is highly variable, and it is more likely that the saying refers to the May tree, or hawthorn, which generally flowers at some point during that month (long after it has come into leaf). Whether it does so early or late is determined chiefly by the weather conditions, making it a more reliable index for an appropriate choice of dress than a calendar date.

Robert Marsham’s project was handed down in the family and only came to a halt in 1958 when his great-great-great-granddaughter Mary died and her descendants were advised that their amateur contribution was no longer required, presumably judged to be no match for modern scientific methods. Despite its abrupt termination, it is the unbroken long run — 222 years — of Marsham’s “Indications of Spring” that gives it lasting scientific worth. There are a few patchy early records for places in the UK, but Marsham’s is the first truly systematic dataset, according to Tim Sparks, a professor of zoology and quantitative biology at the universities of Cambridge, Liverpool, and Poznań. “It is the longest such record for the UK and has been of immense value in determining the variability in spring and in its response to prevailing weather conditions. He inspired many others to do likewise.” Marsham’s record stretches back far enough that it can serve as a baseline for the investigation of changes that have already happened in the more recent past as well as for ongoing studies of the present situation.

One merit of Marsham’s idea is surely that it is so easily grasped. You do not need to be a scientist to understand his results — or to begin recording your own data. In the mid-nineteenth century, the observation of seasonal changes in nature acquired its own name — phenology — as the gentleman scientists of the Victorian age began to add their contributions. Today, Marsham’s pioneering work inspires successor projects around the world, many of them examples of “citizen science”, relying on the participation of members of the public.

Duty.


"That's the duty of the old," said the Librarian, "to be anxious on the behalf of the young. And the duty of the young is to scorn the anxiety of the old."

They sat for a while longer, and then parted, for it was late, and they were old and anxious.

Philip Pullman, from The Golden Compass

Mysterious.

Thomson, The Tent, 1915


We do not dislike everything that shines, but we do prefer a pensive luster to a shallow brilliance, a murky light that, whether in a stone or an artifact, bespeaks a sheen of antiquity.

Of course this “sheen of antiquity” of which we hear so much is in fact the glow of grime. In both Chinese and Japanese the words denoting this glow describe a polish that comes of being touched over and over again, a sheen produced by the oils that naturally permeate an object over long years of handling—which is to say grime. If indeed “elegance is frigid,” it can as well be described as filthy. There is no denying, at any rate, that among the elements of the elegance in which we take such delight is a measure of the unclean, the unsanitary. I suppose I shall sound terribly defensive if I say that Westerners attempt to expose every speck of grime and eradicate it, while we Orientals carefully preserve and even idealize it. Yet for better or for worse we do love things that bear the marks of grime, soot, and weather, and we love the colors and the sheen that call to mind the past that made them. Living in these old houses among these old objects is in some mysterious way a source of peace and repose.

Jun'ichirō Tanizaki, from In Praise of Shadows

Polka Family, "Right Outside the Door"

Change.


Ari Weinzweig on attending to authenticity ...
Being attentive to little things that others might miss, Meyerowitz makes clear, is a skill we can work to master. It’s not, though, an exact science. As Meyerowitz says, “Be open to your own intuition and instincts and you will find your way.” What your way will reveal, I can’t know, but I do know that when we’re tuned in we start to see a wealth of amazing things that are all around us. Interesting insights may well ensue. As Meyerowitz says,
At any given moment there is the possibility to say “Ah!” You catch your breath. You are inspired. You are at that moment suddenly feeling alive and awake. Some connection with the whole, has pressed itself to your senses. In that moment, there’s the tiniest little change—so tiny, it’s been smothered by all the energy around you—at that moment you stop.
Meyerowitz shares a great example that came from his time in Paris many years ago. As he sets the scene: “You’re walking down the street and all of a sudden you come to this sweet spot where you catch the smell of a buttery croissant.” I can certainly relate and maybe you can as well. You notice the subtle smell, and in a wonderful way, it calls to you. But then, Meyerowitz reminds us, the logical mind might likely kick in: You probably weren’t looking for a croissant. Maybe you already ate breakfast earlier, and stopping to see more might make you a few minutes late for your meeting. The tendency for most of us, then, would simply be to keep walking. As Meyerowitz says, “You take two steps and it is gone!” Our mind is quickly occupied by other things. Meyerowitz suggests we do the opposite. We would do well, he says, to back up and follow our nose. Go closer. Explore. Learn more. What we find just might change our lives. 

19 April 2024

Spirit.

Pyle, The Fight on Lexington Common, April 19, 1775, 1898


The American Revolution began on this morning in 1775.

CONCORD HYMN

By the rude bridge that arched the flood, 
   Their flag to April’s breeze unfurled, 
Here once the embattled farmers stood 
   And fired the shot heard round the world. 

The foe long since in silence slept; 
   Alike the conqueror silent sleeps; 
And Time the ruined bridge has swept 
   Down the dark stream which seaward creeps. 

On this green bank, by this soft stream, 
   We set today a votive stone; 
That memory may their deed redeem, 
   When, like our sires, our sons are gone. 

Spirit, that made those heroes dare 
   To die, and leave their children free, 
Bid Time and Nature gently spare 
   The shaft we raise to them and thee.

Ralph Waldo Emerson

Further ...

Excellent.

An excellent album ...

18 April 2024

Hoof-Beats.

Wood, The Midnight Ride of Paul Revere, 1931


Late in the evening, on this date in 1775, Paul Revere began his ride from Charlestown to Lexington, Mass., warning American colonists that the British were coming.

PAUL REVERE'S RIDE

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-Five:
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry-arch
Of the North-Church-tower, as a signal-light,—
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country-folk to be up and to arm.”

Then he said “Good night!” and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war:
A phantom ship, with each mast and spar
Across the moon, like a prison-bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend, through alley and street
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers
Marching down to their boats on the shore.

Then he climbed to the tower of the church,
Up the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, “All is well!”
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black, that bends and floats
On the rising tide, like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride,
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now gazed on the landscape far and near,
Then impetuous stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height,
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!

A hurry of hoofs in a village-street,
A shape in the moonlight, a bulk in the dark,
And beneath from the pebbles, in passing, a spark
Struck out by a steed that flies fearless and fleet:
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.

He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders, that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.

It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer’s dog,
And felt the damp of the river-fog,
That rises when the sun goes down.

It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.

It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.

You know the rest. In the books you have read,
How the British Regulars fired and fled,—
How the farmers gave them ball for ball,
From behind each fence and farmyard-wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,—
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.

Henry Wadsworth Longfellow

Don't miss David Hackett Fischer discussing his book, Paul Revere's Ride, with Brian Lamb on Booknotes.

17 April 2024

Happy Birthday, Wilder


I want you to try and remember what it was like to have been very young.  And particularly the days when you were first in love; when you were like a person sleepwalking, and you didn’t quite see the street you were in, and didn’t quite hear everything that was said to you.  You’re just a little bit crazy. Will you remember that, please?

Thornton Wilder, born on this day in 1897, from Our Town

Pictured: Wilder's study.

15 April 2024

Crisis Unit, "Oh Well"

Another side of Il Giardino Armonico's Luca Pianco ...


It's sandwich time.

Forqueray, La Leclair

Luca Pianca performs with Vittorio Ghielmi ...

Happy Birthday, Leonardo

Leonardo, Self-Portrait, 1512


The principles for the development of a complete mind are this: study the science of art; study the art of science. Develop your senses -- especially learn how to see – realize that everything connects to everything else.

Leonardo da Vinci, born on this day in 1452

PBS' masterpiece, Leonardo's Dream Machines ...

13 April 2024

Happy Birthday, Jefferson

Scully, Thomas Jefferson, 1821


I was in the habit of abridging and commonplacing what I read meriting it, and of sometimes mixing my own reflections on the subject. I now inclose you the extract from these entries which I promised. they were written at a time of life when I was bold in the pursuit of knolege, never fearing to follow truth and reason to whatever results they led, & bearding every authority which stood in their way. this must be the apology, if you find the conclusions bolder than historical facts and principles will warrant. Accept with them the assurances of my great esteem and respect.

Thomas Jefferson, born on this day in 1743, from a letter to Thomas Cooper

Sammy Hagar, "Turn Up the Music"

When on comes this beautiful noise ...

Introduced.


The world was introduced to The Church on this day in 1981.

"Is This Where You Live" ...